So the big shoot is upon us. Over two days I've been having lights delivered, constructing a set, having dancers arrive and shooting on 8mm, 16mm, a RED camera and of course as much 110 and 120 as I can fit in.
I cannot wait to see the results, working in collaboration with the dancers to explore the theme of the bodily grotesque has been fantastic, in line with my research into grotesque physicality in the arts as part of my studies with Monash.


A big thanks to Darn Thorn, my Director of Photographer and general collaborator-in-crime and STATIC for allowing me to take over the venue for a few days.
*Please note this post has done a little time travel... it's been a hectic few months!*